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Need to buy a hookah link Source global Wall Street Journal     time 2021-09-27 22:08:34
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"We try to look at every opera we do with fresh eyes, as if it had never been done before. We try to reexamine everything about the opera. Sometimes the tradition attached to a work differs from what the composer and librettist intended. … Tradition was defined by a famous conductor long ago as 'the last bad performance.' For example, in Turandot there's a character who had been traditionally [portrayed] as blind. But it makes no sense in the story for him to be blind, so we don't play him that way. We're restoring the classics, not changing them."

The afternoon I meet Rodney Dangerfield at his spacious modern East Side apartment is like a day straight out of his monologue. Coming to the door dressed in a polka dot robe and looking quite exhausted, he apologizes by saying that he has been up since 8 in the morning — early for someone who is accustomed to working past 4 a.m. As we sit down to talk, he answers most of my questions with an unexpected seriousness. Still, the humor creeps in around the edges.

Publisher and founder of Mad magazine


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